旅行者不小心把胡桃整怀灭了

美国林肯总统以解放黑奴的功业留名青史，但约翰．福特导演的这部林肯传记片却将剧情焦点放在律师时代的年轻林肯身上。他刚在伊利诺州进入社会工作时，对自己的前途并无定见，曾经在女友的坟前默默祈祷，渴望获得指引

东湖评论：为特殊学生铺展求学坦途

俄常驻维也纳代表：包括俄罗斯在内任何人都不会允许德国掌握核武器

数字底座赋能全域振兴 齐鲁乡村绘就“智慧新景”

宁阳税务：税惠精准发力 助力兽药企业创新发展

黑熊“袭击”饲养员后 杭州野生动物世界致歉：取消黑熊行为展示

小叶医探 安徽阜阳：“三医联动”破局，千万人口大市织密健康网

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

《一门忠廉·折家军》亮相晋剧艺术节 “折家军”忠廉故事唱响太原