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20世纪70年代初,起源于纽约布朗克斯区的霹雳舞席卷全球,这种街头艺术因节奏感强烈,形式新颖,吸引了无数年轻人。一次偶然机会,热爱舞蹈的弗兰克和亚力克斯等人在影院看到街头舞者的录像并深受感染,开始模仿练习,就这样,一支充满活力的霹雳舞大军逐渐成长起来。然而在当时社会背景下,梦想和现实的激烈碰撞让这条追寻自由舞蹈的道路变得异常坎坷,面对上层的政治压力和身边亲人的否定,这群来自东德的年轻人最终能否实现他们的霹雳舞之梦?(豆瓣电影字幕翻译2.0小组)
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Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum
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