“城超”小组赛落幕，淘汰赛战火即将点燃
海峡两岸顶尖车手在厦门比拼车技
横峰农商银行开展“情暖夕阳红，防非金融行”主题宣传教育活动
“卡牌+文旅”走进千年古都 卡游三国文化带火洛阳文旅消费
铅山县鹅湖镇开展“暖心敲门，温情传递”志愿服务活动
你的生活怎么会更好？ MINIMALISM：关于重要事件的纪录片，来自流行的简单生活二人组“极简主义者”的一部长篇纪录片，通过将观众带到各个阶层的极简主义者的生活中，考察了极简主义的诸多风格。
发布绘｜河北人均预期寿命达79.03岁
2025济南国际网球公开赛男子赛事收官，卡佐摘得男单桂冠
This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
盐都：焕新启航 “育”见美好