明湖路、龙奥北路自10月18日23时，将采取临时交通管控措施
百年人寿核心业务系统成功切换至华为云，提供保险行业深度上云实践范本
从吸收率到身高增长：2025赖氨酸品牌推荐：用临床数据说话
《731》公映观众泪洒影院：“我们不能忘、不敢忘”
瑜伽之光照耀亚洲--尹岩荣膺 AYSF 全球卓越大奖
深泽县耿庄学区第三届五人制校园足球联赛落幕
全运快讯｜河北选手何宇博获得男子400米个人混合泳比赛铜牌
Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.
河北五超·微视频丨球迷花式为家乡队助威 驴肉火烧：我该是方的还是圆的？
贝克是一名无家可归的退伍军人，他发现杀害他妹妹的凶手比预想的提前出狱后又重返街头，这让他陷入了复仇的深渊。